If you have been choreographed on before, you are familiar with the artistic process that is undergone for ballet-making. But non-dancers and young dancers are rarely exposed to the choreographic process. In fact it is often such a private process that it is something of a mystery to many people. There certainly aren’t many films that include rehearsal footage, let alone actual choreography in action. This makes 15 Days of Dance, a film that documents Brian Reeder’s creation of Ghost Light for ABT II, an important film indeed.
I am pleased that producer/director Elliot Caplan used long shots for the majority of the film, which is in contrast to so many filmmakers’ preference to use close-up shots in dance movies that annoyingly obscure the complete choreographic picture. Given his history with Merce Cunningham, it just goes to show you what a difference is made in dance filmmaking when you have someone who really understands dance movement.
As much as I’d love to tell you to run out and purchase today’s Ballet in Film pick, at $239 for the abridged version (and more than $1000 for the complete set!) you might prefer to satisfy yourself with the free clips made available online. Priced for the art library or true balletomane, this clearly isn’t meant for the average dance enthusiast… or meagerly paid dancer!
Update: Here’s a great clip of Caplan discussing his editing choices and the backing of the University at Buffalo.