Ballet in Film: First Position

Have you heard the buzz about First Position? This widely anticipated documentary follows six Youth America Grand Prix competitors. Director Bess Kargman’s experience as a ballet student is apparent in the footage, which films dancers with a real understanding of what makes dance movement something worth watching.

First Position premiered in Toronto earlier this month and is headed to film festivals in Boston, Vancouver, DC and New York City. A handful of stunning and intruiging trailers have been released, including this must-see extended version:

Youth America Grand Prix is the largest and probably best-known student ballet competition. Dancers compete for scholarships at international-level schools such as The Royal Ballet School and La Scala Ballet Academy, higher education scholarships at colleges such as Julliard and even apprentice or corps positions with world-class companies. Even those who do not medal are vying for the opportunity to be noticed by some of the most important and influential decision makers in dance today. Winners at YAGP often go on to rise to the highest levels in companies around the globe.

The stakes are high at the Youth American Grand Prix, but as YAGP founder and artistic director Larissa Saveliev reminded in an interview with Dance Magazine, “The medal doesn’t mean anything. We try to send that message as often as we can. The most valuable experience is the preparation for competing. It’s one thing when you take class and another when you rehearse a variation. And you have to learn as a dancer to able to perform under pressure. But when you are able to overcome your nerves, no audition will be a big deal.” Like the tagline says – Ballet is not for sissies.

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Dancewear en l’air: The Procut Convertible Mesh Tight

Do you prefer the feel of no tights in your shoes? But your teacher makes you roll them down? Well now there’s now a tight made especially for you! I was truly impressed to see this design from Body Wrappers style A47, which mimics what dancers often do to their tights with scissors. Built to look to from a viewer’s perspective as a full-footed tight when the dancer’s shoes are on, it actually has three cutouts that reveal most of the foot within the shoe – at the toes, sole and heel. These cutouts provide easy access for foot care post- and pre-pointe class and allow better feel of the shoe for those who like as little as possible between them and the floor. BW included a thong between the big and second toes to keep the fabric secure around the foot despite the cutouts.

The fabric is the same as Body Wrappers classic mesh tight, A46, and like that tight it features a backseam to highlight your lines. Currently, it’s only available in one shade of pink which they call “classic ballet pink”. This color seems to be much lighter than the notoriously bright ballet pink but slightly darker than their popular theatrical pink – which makes it a lot closer to most pointe shoe colors. Available in small, medium, large or tall (yay!), this is a great tight for dancers who need to look completely classical but love that no-tights feel.

Check out the always beautiful Tiler Peck as she introduces this tight in this video by BW: