Get a Job: Marketing Yourself to Dance Companies

When you’re a dancer, sweet sixteen isn’t just a birthday milestone, it’s the age you start thinking of how to begin your career. You’re two years from high school graduation, even less if you’ve sped up your courses. At sixteen, you might even start flying out to company auditions to gain experience and get seen by artistic directors.

It can be pretty intimidating to get started though – How do you make a dance resume? How do you find ballet companies where you might be a fit and stand the best chance of getting a contract? How can you put together an awesome audition package with sophisticated videos and photographs that will really help get you a job?

Rachel Neville, author of the popular and thoughtfully made Leotard Buying Guide, is here to help with these questions. A former dancer, Rachel is now a well-known dance and movement photographer in NYC. She’s going above and beyond to create free resources for dancers crossing this point in their careers. In her latest effort, Rachel talks candidly about a each step in the process from researching companies to ensuring you are presenting yourself in the most effective way possible. Subscribe to Rachel’s blog to be notified of new videos as they are published, and check out the latest edition below.

Ballet in Print: So, You Want to Be a Ballet Dancer?

KronenbergBookIt is all too rare for an experienced professional dancer to provide career guidance to students. The average professional dancer’s hectic schedule, necessity to focus on oneself, or lack of interest in reaching out to aspiring professionals in order to stave off competition all may play a part in that. Even from those who share their knowledge through teaching, there is typically a lack of basic insight on the professional ballet experience that is provided to their students.

Fortunately for us, Miami City Ballet principal dancer Jennifer Kronenberg is not your average professional dancer. Gifted not only in dancing but also writing, Ms. Kronenberg has openly shared her perspective on professional ballet, the story of her rise to ballet fame, and insights on how to prepare in her recent book, So, You Want to Be a Ballet  Dancer? – not to be confused with the revered Thalia Mara’s book from 1959 of the same title, sans punctuation.

A small, pocket-sized read, So, You Want to Be a Ballet Dancer? is divided into 20 easily digestible chapters that focus progressively on essential knowledge relevant immediately prior to and at the start of a ballet career. Early training is also covered briefly along with longer-term concerns such as retirement savings and dancers’ frequent periods of unemployment. QR codes and urls cap off many topics with videos of Ms. Kronenberg’s colleagues addressing the issues in more detail or from another perspective. Ms. Kronenberg has no illusions on the limitations of her personal perspective and consults colleagues and other professionals as contributors when necessary, for instance in the chapter on men in ballet.

This is one of the most useful books about professional ballet in publication at the moment, littered as the market is with books focused more on the basics of instruction and getting started with beginner training or beginner pointework. I held off on posting about this book while it was in e-reader form only, but it has recently been published in hard copy. Go buy it today! I found one at BN yesterday and it’s up on Amazon as well. (Now, for a book focused on men’s ballet! Maybe something that expands on this.) Enjoy!